Real quick, just to go through some of the settings, it’s very simple. Once again, you can hear it just thickens everything up. Or, the cool thing that comes with this plugin is an actual mix knob, so you can do parallel compression right within the compressor, you don’t have to do any other routing or anything. You can add just some light compression, just a DB or two just to glue the whole drum set together. I put it on my drum bus here, and this, you can do a couple things. Or snare, or whatever drum you want.Īnother example we can go over here is … I will put it on, let me make sure … Turn my bass off and my vocals off. But it definitely can add some serious attitude to a kick if you need it. It’s cool just to add … Maybe take a DB or two off, nothing crazy, because the release on this thing isn’t super fast. This kinda gets thicker, and more … rrrr. So pretty cool, right? Now check it out when we turn on and off the Pro-C, you’ll hear the kick, the low end kinda goes away and you get more top end, more click on the bass. I’ll bypass on and off so you can hear it. So you hear right away, it just adds a thickness. Because the fabfilter is known to be pretty clear and clean and transparent as far as compressors go. So I even brought out the fabfilter, just to compare a couple of compressions so you can hear the difference. I mentioned it adds a lot of low end, which most compressors usually take away low end from bass-y instruments or vocals or whatever, it’s kinda the first thing to go on kicks. We have it on the kick out here, and just to give you an example of how this thing adds … So first we’ll go to … I put it on the kick, and then I also had it on the drum bus for this song by my buddy Zack called Newsfeed, which you can check out on Spotify and all the other formats. So let’s jump in, we’ll check it out, and you can hear some of the differences. I’ve got it on some drums, I got it on a synth bass, and I got it on a vocal. So what we’ll do today is run through a couple different examples. I haven’t used it too much on that, kinda got my own thing with my outboard for mixing on the mix bus, but I’ve heard great things about it. So I’ve been using it a ton on vocals, but it also sounds great on drums and bass, and in the mix bus some people tend to use it on. So this compressor’s been really helpful in the respect of adding some thickness and girth back to a vocal that might be sounding a bit thin. A lot of tracks I get, the vocals sound kinda thin, just because the equipment or the surroundings weren’t that great. This can be great for drums and bass and vocals in particular, especially with a lot of people recording at home now on not-so-great mics. To me, I’ve had it for about a month now, and I’ve been using it, and to me, it adds a real thickness and depth to anything you put on it. The compressor itself is really simple, but what you can do with it is pretty amazing. The owner of this compressor is the super-talented, well-known producer/engineer Greg Wells, who’s worked on a bunch of huge records with Katy Perry and a ton of others. My guess would be it’s an RCA compressor. This is a plugin that is a recreation of a classic old-school compressor from the 50s. Today we’re going over the Acustica Audio El Rey plugin. I played this five hour game of taking them all out and putting them in one by one… And the truth is the randomness of this problem doesn’t seem to be able to be pinpointed with this time-consuming yet repeated method that the Boffins of the DUC love to invoke.What’s up guys, Matty here at. Time and time again when I post about the plethora of issues this ancient software seems to have despite being one of the oldest so should be deep into stability I get the usual chorus of voices that all say… So which plug-ins give the most problems in Protools
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |